I watched The Man with the Movie Camera yesterday. Three reactions:
1. The movie is a masterpiece of montage,
2. A split screen shot with opposite Dutch angles in the two sides is a creepy thing, and
3. I think Leni Riefenstahl in the nineteen thirties did even more effective work in this direction (i.e. in propaganda documentaries).
Here's Colour Record No. 322, Side A:
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