Wednesday, October 31, 2012

Looking forward

Looking forward to the Spring semester  :)  I met with my advisor (Miriam) today, and now I know what classes I'm going to take:  Photography V, Intro to Fiction, Grammar of Modern English, Advanced Journalism, and Theory and Business of Translation.

I've been waiting to take Intro to Fiction for some time now---I really wanted that for foundation before taking the Fiction Writing Workshop---and I'm glad it finally fit my schedule  :)

And I've waited forever for Grammar!  It didn't fit my schedule the last time Dr. Brooks offered it, but I bought the text anyway and worked through it on my own, and I absolutely loved sentence trees  :)  I'll finally get to actually take the class in Spring!

In the Losses Column, the German Capstone class is not being offered, as Frau Gross has to teach Business German instead  :(  Hence Translation, which counts as a German class as well, even though Dr. Pichot teaches it in English.

The other two classes---Photography with Dana and Journalism with Rob---are continuations of what I'm already taking ...  Something else happened at the end of the advising meeting:  Miriam asked me to take whatever I wanted from the left half of her bookshelf.  She's giving away much of her library because she's retiring at the end of this semester ...  This was my last advising meeting with her  :(  I took nine books (all on how to write).

And that seemed to be the theme for the rest of the day:  Later in the afternoon, when my red pen ran out of ink in the middle of grading, Sr. Ann gave me one of hers, and she added that she could spare it because she's going to retire at the end of the Spring semester!

So my teachers are retiring, and my colleagues are retiring, and, looking forward, I'm trying to visualize when I will retire ...

Tuesday, October 30, 2012

I wish

If unfulfilled wishes were pounds, I'd be the world's biggest man.

And it's not as though I don't do anything about my wishes either.  I've been religiously waiting for 11:11 and making a wish every time for ever now (that's, like, for more than two years), but my wishes have just not been coming true  :(

So I did a little research on the theory of wishing today, and I actually made some progress, so I'm posting my results as my blog entry for the day.  I'm a mathematician, so when I say "research" I don't mean "google search" (I mean drawing oversized calculus symbols with a pencil on the back of an old envelope), and when I say "results" I don't mean a collection of links to other sites.  I mean concrete statements such as:

In order for a wish to come true, it may not suffice to simply make the wish at 11:11.  The chances of a wish coming true increase by between 800% and 1200% if the wish is said out loud 11 times during the minute when the clock shows 11:11.

Which would explain why I haven't been having much success, because my wishes are mostly six sentences long and in a foreign language  :(

Which, however, does not mean that I'm downgrading to shorter wishes now.  I'll keep making the same wishes, I'll just try to speak faster.

It's 10:11 PM now, so in an hour ...  Wish me luck!

Monday, October 29, 2012

Anticlimatic

No, that isn't a typo in the title, I'm just making up that word.  Because that's how I'm feeling today.

I don't normally complain about stuff like weather or traffic, but ...  It's like this:  I have never in my life complained about bubonic plague either, but if I ever get ill with that disease myself, I probably will complain about it.  And what this climate did to me today didn't hurt me any less than bubonic plague could.

My photography class meets again on Saturday, and I have prints due in class that day, and I woke up extra early this morning, hoping to shoot the last bracket of frames before my usual Monday (and this semester my usual Monday starts really early---my first class is at 9:25 AM already).

And the sun decided to not rise this morning.

And this is about the climate in general, and not just about today's weather:  I have set an alarm on every one of my off days for the last three weeks, and I have seen the sun on exactly two of those days (which were the days when I shot the first few frames).  I still need at least one more sunny day, which is why I finally broke down and decided to try it today---a working day---even though it's generally a bad idea to handle fragile equipment (such as a camera) just before doing Math.

And here's what makes it even worse:  I'm still pretty slow in the darkroom, so I can't exactly afford to wait patiently all week, so if I don't get good negatives by Wednesday afternoon, then I'll have to go ahead and print from bad negatives already  :(

So that's how my day was:  I made up a new word today:  "Anticlimatic".

Friday, October 26, 2012

Lullabies

The one of Yeats, and the other of Auden.  Have a great weekend!
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Lullaby

By W.B.Yeats

Beloved, may your sleep be sound
That have found it where you fed.
What were all the world's alarms
To mighty Paris when he found
Sleep upon a golden bed
That first dawn in Helen's arms?

Sleep, beloved, such a sleep
As did that wild Tristram know
When, the potion's work being done,
Roe could run or doe could leap
Under oak and beechen bough,
Roe could leap or doe could run;

Such a sleep and sound as fell
Upon Eurotas' grassy bank
When the holy bird, that there
Accomplished his predestined will,
From the limbs of Leda sank
But not from her protecting care.
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Lullaby

By W.H. Auden

Lay your sleeping head, my love,
Human on my faithless arm;
Time and fevers burn away
Individual beauty from
Thoughtful children, and the grave
Proves the child ephemeral:
But in my arms till break of day
Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.

Soul and body have no bounds:
To lovers as they lie upon
Her tolerant enchanted slope
In their ordinary swoon,
Grave the vision Venus sends
Of supernatural sympathy,
Universal love and hope;
While an abstract insight wakes
Among the glaciers and the rocks
The hermit's carnal ecstasy.

Certainty, fidelity
On the stroke of midnight pass
Like vibrations of a bell,
And fashionable madmen raise
Their pedantic boring cry:
Every farthing of the cost,
All the dreaded cards foretell,
Shall be paid, but from this night
Not a whisper, not a thought,
Not a kiss nor look be lost.

Beauty, midnight, vision dies:
Let the winds of dawn that blow
Softly round your dreaming head
Such a day of welcome show
Eye and knocking heart may bless,
Find the mortal world enough;
Noons of dryness find you fed
By the involuntary powers,
Nights of insult let you pass
Watched by every human love.

Thursday, October 25, 2012

10 :)

Today's original piece has just 10 words.  New personal record  :)
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Middle Field

After noon, by Douglas St., under&among the wet, black leaves.

Wednesday, October 24, 2012

1919

Starting next week, I might, for a time, in order to save time, only keep a how-my-day-was blog.  But today, a longer poem from Yeats:
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NINETEEN HUNDRED AND NINETEEN

By W.B. Yeats

I.
Many ingenious lovely things are gone
That seemed sheer miracle to the multitude,
protected from the circle of the moon
That pitches common things about.  There stood
Amid the ornamental bronze and stone
An ancient image made of olive wood --
And gone are Phidias' famous ivories
And all the golden grasshoppers and bees.

We too had many pretty toys when young:
A law indifferent to blame or praise,
To bribe or threat; habits that made old wrong
Melt down, as it were wax in the sun's rays;
Public opinion ripening for so long
We thought it would outlive all future days.
O what fine thought we had because we thought
That the worst rogues and rascals had died out.

All teeth were drawn, all ancient tricks unlearned,
And a great army but a showy thing;
What matter that no cannon had been turned
Into a ploughshare? Parliament and king
Thought that unless a little powder burned
The trumpeters might burst with trumpeting
And yet it lack all glory; and perchance
The guardsmen's drowsy chargers would not prance.

Now days are dragon-ridden, the nightmare
Rides upon sleep:  a drunken soldiery
Can leave the mother, murdered at her door,
To crawl in her own blood, and go scot-free;
The night can sweat with terror as before
We pieced our thoughts into philosophy,
And planned to bring the world under a rule,
Who are but weasels fighting in a hole.

He who can read the signs nor sink unmanned
Into the half-deceit of some intoxicant
From shallow wits; who knows no work can stand,
Whether health, wealth or peace of mind were spent
On master-work of intellect or hand,
No honour leave its mighty monument,
Has but one comfort left:  all triumph would
But break upon his ghostly solitude.

But is there any comfort to be found?
Man is in love and loves what vanishes,
What more is there to say? That country round
None dared admit, if Such a thought were his,
Incendiary or bigot could be found
To burn that stump on the Acropolis,
Or break in bits the famous ivories
Or traffic in the grasshoppers or bees.

II.
When Loie Fuller's Chinese dancers enwound
A shining web, a floating ribbon of cloth,
It seemed that a dragon of air
Had fallen among dancers, had whirled them round
Or hurried them off on its own furious path;
So the platonic Year
Whirls out new right and wrong,
Whirls in the old instead;
All men are dancers and their tread
Goes to the barbarous clangour of a gong.

III
Some moralist or mythological poet
Compares the solitary soul to a swan;
I am satisfied with that,
Satisfied if a troubled mirror show it,
Before that brief gleam of its life be gone,
An image of its state;
The wings half spread for flight,
The breast thrust out in pride
Whether to play, or to ride
Those winds that clamour of approaching night.

A man in his own secret meditation
Is lost amid the labyrinth that he has made
In art or politics;
Some Platonist affirms that in the station
Where we should cast off body and trade
The ancient habit sticks,
And that if our works could
But vanish with our breath
That were a lucky death,
For triumph can but mar our solitude.

The swan has leaped into the desolate heaven:
That image can bring wildness, bring a rage
To end all things, to end
What my laborious life imagined, even
The half-imagined, the half-written page;
O but we dreamed to mend
Whatever mischief seemed
To afflict mankind, but now
That winds of winter blow
Learn that we were crack-pated when we dreamed.

IV.
We, who seven years ago
Talked of honour and of truth,
Shriek with pleasure if we show
The weasel's twist, the weasel's tooth.

V.
Come let us mock at the great
That had such burdens on the mind
And toiled so hard and late
To leave some monument behind,
Nor thought of the levelling wind.

Come let us mock at the wise;
With all those calendars whereon
They fixed old aching eyes,
They never saw how seasons run,
And now but gape at the sun.

Come let us mock at the good
That fancied goodness might be gay,
And sick of solitude
Might proclaim a holiday:
Wind shrieked -- and where are they?

Mock mockers after that
That would not lift a hand maybe
To help good, wise or great
To bar that foul storm out, for we
Traffic in mockery.

VI.
Violence upon the roads:  violence of horses;
Some few have handsome riders, are garlanded
On delicate sensitive ear or tossing mane,
But wearied running round and round in their courses
All break and vanish, and evil gathers head:
Herodias' daughters have returned again,
A sudden blast of dusty wind and after
Thunder of feet, tumult of images,
Their purpose in the labyrinth of the wind;
And should some crazy hand dare touch a daughter
All turn with amorous cries, or angry cries,
According to the wind, for all are blind.
But now wind drops, dust settles; thereupon
There lurches past, his great eyes without thought
Under the shadow of stupid straw-pale locks,
That insolent fiend Robert Artisson
To whom the love-lorn Lady Kyteler brought
Bronzed peacock feathers, red combs of her cocks.

Tuesday, October 23, 2012

Experimental piece

But the experiment didn't work out as well as I'd have liked.

On the plus side, today's original piece is true, it's personal, and it qualifies as a genuine "found piece" as well  :)

On the minus side, it's not a story, and it took 328 words  :(
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I Will Not Meet You Halfway

There are times when I let other people take responsibility for solving the problem I attempt to deal with all of his/her and my concerns I am usually firm in pursuing my goals I sometimes sacrifice my own wishes for the wishes of the other person I consistently seek the other person’s help in working out a solution I try to win my position I try to postpone the issue until I have had some time to think it over I attempt to get all concerns and issues immediately out in the open I make some effort to get my way I am firm in pursuing my goals I attempt to get all concerns and issues immediately out in the open I sometimes avoid taking positions that would create controversy I press to get my points made I tell him/her my ideas and ask him/her for his/hers I might try to soothe the other person’s feelings and preserve our friendship I try to convince the other person of the merits of my position I am usually firm in pursuing my goals

If it makes the other person happy, I might let him/her maintain his/her views I try to postpone the issue until I have had some time to think it over I attempt to immediately work through our differences I always lean toward a direct discussion of the problem I assert my wishes I am very often concerned with satisfying all our wishes

If his/her position seems very important to him/her, I would try to meet his/her wishes I try to show him/her the logic and benefits of my position I am nearly always concerned with satisfying all our wishes

If it makes the other person happy, I might let him/her maintain his/her views I am usually firm in pursuing my goals I feel that differences are not always worth worrying about I always share the problem with the other person so that we can work it out

Monday, October 22, 2012

On Swans

Still reading Yeats, I wanted to post his "Wild Swans at Coole" today, and remembered Friedrich Hoelderlin's "Haelfte des Lebens" (which my friend gave to me towards the end of the summer in 2011).  Here are both poems:
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The Wild Swans at Coole

By W.B.Yeats

The trees are in their autumn beauty,  
The woodland paths are dry,  
Under the October twilight the water  
Mirrors a still sky;  
Upon the brimming water among the stones         
Are nine and fifty swans.  
  
The nineteenth Autumn has come upon me  
Since I first made my count;  
I saw, before I had well finished,  
All suddenly mount  
And scatter wheeling in great broken rings  
Upon their clamorous wings.  
  
I have looked upon those brilliant creatures,  
And now my heart is sore.  
All’s changed since I, hearing at twilight,  
The first time on this shore,  
The bell-beat of their wings above my head,  
Trod with a lighter tread.  
  
Unwearied still, lover by lover,  
They paddle in the cold,  
Companionable streams or climb the air;  
Their hearts have not grown old;  
Passion or conquest, wander where they will,  
Attend upon them still.  
  
But now they drift on the still water  
Mysterious, beautiful;  
Among what rushes will they build,  
By what lake’s edge or pool  
Delight men’s eyes, when I awake some day  
To find they have flown away?
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Hälfte des Lebens

Von Friedrich Hölderlin

Mit gelben Birnen hänget
Und voll mit wilden Rosen
Das Land in den See,
Ihr holden Schwäne,
Und trunken von Küssen
Tunkt ihr das Haupt
Ins heilignüchterne Wasser.

Weh mir, wo nehm’ ich, wenn
Es Winter ist, die Blumen, und wo
Den Sonnenschein,
Und Schatten der Erde?
Die Mauern stehn
Sprachlos und kalt, im Winde
Klirren die Fahnen.

Friday, October 19, 2012

The odorous twilight there

An early poem of Yeats today.  Have a great weekend!
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THE LOVER ASKS FORGIVENESS BECAUSE OF HIS MANY MOODS

By W.B. Yeats

If this importunate heart trouble your peace
With words lighter than air,
Or hopes that in mere hoping flicker and cease;
Crumple the rose in your hair;
And cover your lips with odorous twilight and say,
“O Hearts of wind-blown flame!
O Winds, elder than changing of night and day,
That murmuring and longing came,
From marble cities loud with tabors of old
In dove-gray faery lands;
From battle banners fold upon purple fold,
Queens wrought with glimmering hands;
That saw young Niamh hover with love-lorn face
Above the wandering tide;
And lingered in the hidden desolate place,
Where the last Phœnix died
And wrapped the flames above his holy head;
And still murmur and long:
O Piteous Hearts, changing till change be dead
In a tumultous song:”
And cover the pale blossoms of your breast
With dim heavy hair,
And trouble with a sigh for all things longing for rest
The odorous twilight there.

Thursday, October 18, 2012

Foolhardiness

Okay, so there was good reason why English didn't have an epistolary past.  I didn't even find a classical piece in it that I could have posted.

But that was still not reason enough for me to not go ahead and try it anyway  :)

And since it was going to be epistolary, it had to be in the second person, which was an added plus as far as I was concerned  :)  Because that way, when the piece didn't work, there would be not one, but two reasons why it was a difficult task, i.e. two things I could blame for it  :)

And two things about decisions:

1.  Since I found no tradition for this in English, I got to choose a tense myself:  One of the true past tenses?  Or a present perfect, which, even though they were present tenses in English, referred to past time by virtue of their aspects?---For this first attempt, I decided to keep it simple, i.e. to try the simple past tense.

2.  Since this was going to be challenging for other reasons, I decided to return to my comfort zone of pure fiction.  I did have great fun writing the true stories I posted last week and on Tuesday, and I do hope write the truth again in the future!

64 words (at least it was short):
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While You Were Out

I got the mail.

And then I read the mail, so I smoked a cigarette.  Inside the house.

Then I packed my clothes, and called a cab, and wrote this note, then smoked again while I waited for the cab.

When the cab was here, I left the keys in the mailbox on my way out.  You should have gotten your own fucking mail.

Wednesday, October 17, 2012

Changing the tense

I plan to try another special effect tomorrow:  the epistolary past tense.  I don't expect it to work, but I'll have fun trying  :)  But before that, a beautiful piece in the scenic present:
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Changing the Channel

By E. Ethelbert Miller

My father and I have pillows behind our backs.  The television is on but we talk without looking at each other.  It is better this way, easier for my father to find words, which interrupt his breath like commercials.  It is one of those strange moments when our small apartment in Bronx is empty.  My sister is on a date with a boy she can't bring home.  My brother is at church lighting candles and saying prayers which will not lengthen his life.  My mother is selecting lamb chops over pork in a nearby store, and the price has nothing to do with our health.  Now is the time my father has a good job in the post office and this miracle of rest is what we share while watching old movies that offer no resemblance to who we are.

Tuesday, October 16, 2012

Truth again

So last week's original piece, which was based on a true story, was actually mangled beyond recognition by my poor writing  :(  Sorry!  And I decided to try again, so today's original piece is also based on something that actually happened to me.  And yes, I tried to write it in the scenic present tense.  87 words  :)
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 Who Even Cares How Long Ago

Cantabria, Spain.  White fur boots stands, leaning against the wall, at the mouth of the cave; two feet to the left, I have to hold my deerskins perfectly still. 

Fur boots says—in her native tongue—“Say something to me in your native tongue,” giving me the cigarette at the end of a meditative puff.

I speak, looking at her backlit by the rain, and her laughter falls on the ochre floor like beads.

All of which is still allowed, as long as our feet don’t move.

Monday, October 15, 2012

It's tense

So as long as I get to free write, I decided to mess with a couple of strange uses of tense this week  :)  

Up first:  The scenic present.  Here is the textbook example.  I hope to post an original piece in the scenic present tomorrow ...
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In these days before the funeral, I saw but little of Peggotty, except that, in passing up or down stairs, I always found her close to the room where my mother and her baby lay, and except that she came to me every night, and sat by my bed's head while I went to sleep.  A day or two before the burial—I think it was a day or two before, but I am conscious of confusion in my mind about that heavy time, with nothing to mark its progress—she took me into the room.  I only recollect that underneath some white covering on the bed, with a beautiful cleanliness and freshness all around it, there seemed to me to lie embodied the solemn stillness that was in the house; and that when she would have turned the cover gently back, I cried:  “Oh no! oh no!” and held her hand.

If the funeral had been yesterday, I could not recollect it better.  The very air of the best parlour, when I went in at the door, the bright condition of the fire, the shining of the wine in the decanters, the patterns of the glasses and plates, the faint sweet smell of cake, the odour of Miss Murdstone's dress, and our black clothes.  Mr. Chillip is in the room, and comes to speak to me.

“And how is Master David?” he says, kindly.

I cannot tell him very well.  I give him my hand, which he holds in his.

“Dear me!” says Mr. Chillip, meekly smiling, with something shining in his eye.  “Our little friends grow up around us.  They grow out of our knowledge, ma'am?”  This is to Miss Murdstone, who makes no reply.

“There is a great improvement here, ma'am?” says Mr. Chillip.

Miss Murdstone merely answers with a frown and a formal bend:  Mr. Chillip, discomfited, goes into a corner, keeping me with him, and opens his mouth no more.

I remark this, because I remark everything that happens, not because I care about myself, or have done since I came home.  And now the bell begins to sound, and Mr. Omer and another come to make us ready.  As Peggotty was wont to tell me, long ago, the followers of my father to the same grave were made ready in the same room.

There are Mr. Murdstone, our neighbour Mr. Grayper, Mr. Chillip, and I.  When we go out to the door, the Bearers and their load are in the garden; and they move before us down the path, and past the elms, and through the gate, and into the churchyard, where I have so often heard the birds sing on a summer morning.

We stand around the grave.  The day seems different to me from every other day, and the light not of the same colour—of a sadder colour.  Now there is a solemn hush, which we have brought from home with what is resting in the mould; and while we stand bareheaded, I hear the voice of the clergyman, sounding remote in the open air, and yet distinct and plain, saying:  “I am the Resurrection and the Life, saith the Lord!”  Then I hear sobs; and, standing apart among the lookers-on, I see that good and faithful servant, whom of all the people upon earth I love the best, and unto whom my childish heart is certain that the Lord will one day say:  “Well done.”

There are many faces that I know, among the little crowd; faces that I knew in church, when mine was always wondering there; faces that first saw my mother, when she came to the village in her youthful bloom.  I do not mind them—I mind nothing but my grief—and yet I see and know them all; and even in the background, far away, see Minnie looking on, and her eye glancing on her sweetheart, who is near me.

It is over, and the earth is filled in, and we turn to come away.  Before us stands our house, so pretty and unchanged, so linked in my mind with the young idea of what is gone, that all my sorrow has been nothing to the sorrow it calls forth.  But they take me on; and Mr. Chillip talks to me; and when we get home, puts some water to my lips; and when I ask his leave to go up to my room, dismisses me with the gentleness of a woman.

All this, I say, is yesterday's event.  Events of later date have floated from me to the shore where all forgotten things will reappear, but this stands like a high rock in the ocean.

I knew that Peggotty would come to me in my room.  The Sabbath stillness of the time (the day was so like Sunday! I have forgotten that) was suited to us both.  She sat down by my side upon my little bed; and holding my hand, and sometimes putting it to her lips, and sometimes smoothing it with hers, as she might have comforted my little brother, told me, in her way, all that she had to tell concerning what had happened.

—from Chapter 9 (I Have A Memorable Birthday) of The Personal History and Experience of David Copperfield by Charles Dickens

Friday, October 12, 2012

A second piece of Atemschaukel

Today:  From 2009 Nobel laureate Herta Mueller's novel Atemschaukel, another chapter that, I think, works as a stand-alone piece of flash fiction.  Have a great weekend!
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Steinkohleschnaps

In einer durchwühlten Nacht, in der an Schlaf gar nicht zu denken war, in die nicht einmal die Gnade des Esszwangs kam, weil die Qual der Läuse nicht aufhörte, in so einer Nacht hat Peter Schiel gesehen, dass ich auch nicht schlafe.  Ich hatte mich in meinem Bett aufgesetzt und schräg gegenüber hat auch er sich aufgesetzt in seinem Bett und mich gefragt:

Was heißt Geben und Nehmen.

Ich habe gesagt:  Schlaf.

Dann habe ich mich wieder flach hingelegt.  Er ist sitzen geblieben, und ich habe es glucksen gehört.  Auf dem Basar hatte Bea Zakel für seinen Wollpullover Steinkohleschnaps getauscht.  Er hat ihn getrunken.  Und nichts mehr gefragt.  Am nächsten Morgen hat Karli Halmen gesagt, er hat noch ein paarmal gefragt, was Geben und Nehmen heißt.  Da hast du tief geschlafen.

Thursday, October 11, 2012

Flash back

Late in 2009, my friend said I should read the recent novel Atemschaukel by that year's Nobel laureate Herta Mueller, and I didn't think my German was good enough to understand any of it, but I tried it anyway, and I enjoyed it  :)  and some of the chapters could, I think, stand on their own, i.e. without reference to the rest of the novel, as flash fiction (which is why I'm bringing it up here).  This, for example:
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Der Lauf der Dinge

Die nackte Wahrheit ist, dass der Advokat Paul Gast seiner Frau Heidrun Gast aus dem Essgeschirr die Suppe stahl, bis sie nicht mehr aufstand und starb, weil sie nichts anders konnte, so wie er ihre Suppe stahl, weil sein Hunger nichts anders konnte, so wie er ihren Mantel mit dem Bubikragen und den abgewetzten Hasenfellklappen trug und nichts dafür konnte, dass sie gestorben war, so wie sie nichts dafür konnte, dass sie nicht mehr aufstand, so wie dann unsere Sängerin Loni Mich den Mantel trug und nichts dafür konnte, dass durch den Tod der Frau des Advokaten ein Mantel frei geworden war, so wie der Advokat nichts dafür konnte, dass auch er frei geworden war durch den Tod seiner Frau, so wie er nichts dafür konnte, dass er sie durch die Loni Mich ersetzen wollte, so konnte auch die Loni Mich nichts dafür, dass sie einen Mann hinter der Decke wollte oder einen Mantel, oder dass beides voneinander nicht zu trennen war, so wie auch der Winter nichts dafür konnte, dass er eisigkalt war, und der Mantel nichts dafür konnte, dass er gut wärmte, so konnten auch die Tage nichts dafür, dass sie eine Kette von Ursachen und Folgen waren, so wie auch die Ursachen und Folgen nichts dafür konnten, dass sie die nackte Wahrheit waren, obwohl es um einen Mantel ging.

So war der Lauf der Dinge:  Weil jeder nichts dafür konnte, konnte keiner was dafür.

Wednesday, October 10, 2012

True story

So I received another suggestion:  That I should post an anecdote/a story/a memory of my own, something I actually experienced myself.  

So today's original piece is either even more original (than my usual original pieces) or less original, depending on your mindset ... 123 words:
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Three Things I Remember of the Sea

The sea said:  “I am the sea, am the sea, the sea.”
I said:  “I know.  Besides, I smell you.”  Then, because the sea so obviously liked everything to repeat exactly thrice, I sniffed exactly two more times.

The sea said:  “Look, the sun rose.”
It wasn’t morning—no one, not even the sea, gets up that early—but, because the sea was such a breathtakingly levelheaded sea, I looked anyway, and it was true.  The sun of the soft-focus sky had edge frill petals which made it a sun rose.

The sea said:  “The tide must go out now.”
I said:  “I never did learn how to swim,” clutching at this piece of driftwood I still, after ages, hold with my hand.

Tuesday, October 9, 2012

One more piece from Russell Edson

A second stunner from yesterday's author.  This was written last century, so "twittered" in the sixth paragraph has nothing to do with the microblogging service.  Oh and this is a Journalism class, so note that a title character was reading the newspaper (when the other title character splashed all over him) according to the eighth paragraph  :)
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Ape and Coffee

By Russell Edson

  Some coffee had gotten on a man's ape.  The man said, animal did you get on my coffee?

  No no, whistled the ape, the coffee got on me.

  You're sure you didn't spill on my coffee? said the man.

  Do I look like a liquid? peeped the ape.

  Well you sure don't look human, said the man.

  But that doesn't make me a fluid, twittered the ape.

  Well I don't know what the hell you are, so just stop it, cried the man.

  I was just sitting here reading the newspaper when you splashed coffee all over me, piped the ape.

  I don't care if you are a liquid, you just better stop splashing on things, cried the man.

  Do I look fluid to you?  Take a good look, hooted the ape.

  If you don't stop I'll put you in a cup, screamed the man.

  I'm not a fluid, screeched the ape.

  Stop it, stop it, screamed the man, you are frightening me.

Monday, October 8, 2012

Fall

I'm posting a classic piece by one of my favorite contemporary English-language writers today  :)

Because it's fall:
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The Fall

By Russell Edson

  There was a man who found two leaves and came indoors holding them out saying to his parents that he was a tree.

  To which they said then go into the yard and do not grow in the living-room as your roots may ruin the carpet.

  He said I was fooling I am not a tree and he dropped his leaves.

  But his parents said look it is fall.