Sonnet
23:
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XXIII
As an unperfect actor on the stage,
Who with his fear is put beside his part,
Or some fierce thing replete with too much
rage,
Whose strength's abundance weakens his own
heart;
So I, for fear of trust, forget to say
The perfect ceremony of love's rite,
And in mine own love's strength seem to
decay,
O'ercharg'd with burthen of mine own love's
might.
O! let my looks be then the eloquence
And dumb presagers of my speaking breast,
Who plead for love, and look for recompense,
More than that tongue that more hath more
express'd.
O! learn to read what silent love hath
writ:
To hear with eyes belongs to love's fine
wit.
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Okay, the
volta is the then in line 9, this one
moves straight forward everywhere else.
The
(twentieth century) Urdu poet Faiz Ahmad Faiz does a roughly similar idea
beautifully in the penultimate couplet (from 4:25 to 5:35) sung by Akhtarii Baa’ii
Faizaabaadii in the recording http://www.youtube.com/watch?v=Pld4snEPxpY
:
dil se to
har mu’aamilah kar ke chale the saaf ham
kahne meN
un ke saamne baat badal badal ga’ii
More
tomorrow—
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